Cameras:

• Panasonic SDX 900
• DVC Pro 50 with variable frame rates (24P, 30P, 60i) and standard (4:3) and wide screen (16:9) aspect ratios.
• Sony DVW 600 betacam
• Panasonic DVX 100 mini-DV with variable frame rates

Lenses (for 2/3” chip cameras):

• 20:1 Fujinon zoom (8.5-160 mm) internal focus w/extender
• 10:1 Fujinon zoom “super wide” angle (4.5-45mm) internal focus w/extender

Lighting:

• Various tungsten fixtures including Arri 1K open face and 650, 150, 300w fresnels; Mole 600 w open face, 200w fresnels
• Chimera soft boxes and speed rings for above
• Kino Flo 2×2 and 2×4 Diva lights
• K5600 Joker-bug 200w and 400w HMI’s

Post Production:

• Final Cut Pro HD with DVC Pro 50, Betacam, and mini-DV format VTRs

Additional Equipment:

• Chroziel matte box with many filters
• Sachtler tripod, hi hat
• 4’ Trovato jib
• Cinekinetic dolly with 25’ of track
• Sony CRT and Transvideo LCD monitors
• Various grip gear including C-stands, clamps, flags, nets and more.
• Sony and Panasonic high definition camcorders, additional lighting, grip and personnel available through subcontracted vendors